Join us live in the gallery with artist, Morgan Craig, as he discusses his work and Dialectics and the Decommodified: The Spectre of Capital with Executive Director Michele Leclaire.
Morgan Craig has exhibited throughout North America, Europe, and Australia, including SPACES in Cleveland, the DCCA in Wilmington, and the Australian National University. Craig has received numerous awards including, the Pollock Krasner Foundation Grant (2009, 2019), the Elizabeth Greenshields Foundation Grant ... view more »
Join us live in the gallery with artist, Morgan Craig, as he discusses his work and Dialectics and the Decommodified: The Spectre of Capital with Executive Director Michele Leclaire.
Morgan Craig has exhibited throughout North America, Europe, and Australia, including SPACES in Cleveland, the DCCA in Wilmington, and the Australian National University. Craig has received numerous awards including, the Pollock Krasner Foundation Grant (2009, 2019), the Elizabeth Greenshields Foundation Grant (2007, 2011), and the Pennsylvania Council on the Arts Fellowship (2006, 2008). He has also been invited to residencies including, Cite Internationale des Arts, the Macdowell Colony, UCross, Proekt Fabrika in Moscow, and Red Gate in Beijing. Selections from his oeuvre were recently featured in several solo exhibitions, including University of Central Florida, Colorado State University and Binghamton University. In 2019, he participated in residencies at Paul Artspace, St. Louis, MO., RAP in Silver City, NV, and the Munandi Art Space in Lusaka, Zambia. Late Winter/Early Spring of 2021 brought a solo exhibition at Washington & Jefferson College. A residency at the VCCA, in Amherst VA, took place in July. As of 2022, current and upcoming exhibitions include 2 solo shows: University of South Carolina in Columbia, SC and Buckham Gallery in Flint, Michigan.
Morgan Craig sees architectural structures as both repositories and vehicles for memory, influencing culture and identity, by providing a tangible framework through which facets of society can be expressed. Dialectics and the Decommodified: The Spectres of Capital deals with how identity is influenced by the types of architectural edifices present in a given landscape. Within the realm of Jacques Derrida’s theory of Hauntology, the paintings speak of the slow disintegration of the future, and the abysmal fragmentation of the past.
Reception for our Late Winter Exhibitions immediately following.
Buckham Fine Arts Project is supported in part by an award from the MICHIGAN COUNCIL FOR ARTS AND CULTURAL AFFAIRS and the NATIONAL ENDOWMENT FOR THE ARTS and the Greater Flint Arts Council Share Art Genesee Grant Program made possible by the Genesee County Arts Education and Cultural Enrichment Millage funds. Your tax dollars are at work!
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